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Vuela Paloma, El Novillo, Mazatlan, El Sinaloense, El Toro Mambo
Performed by: Ballet Folklorico Alma de Mexico of South San Francisco
Discipline:
Nayarit Dance and Music
Performed In: 2006 San Francisco Ethnic Dance Festival

TITLE OF PIECE: Vuela Paloma, El Novillo, Mazatlan, El Sinaloense, El Toro Mambo
ARTISTIC DIRECTOR/ CHOREOGRAPHER: Martin Cruz
DANCERS: Nerieda Angulo, Martin Cruz, Ricardo Gomez, Vanessa Ibarra, Miguel Lozano, Patricia Martinelli, Ana Martinez, Jenny Martinez, Corin Medrano, Fabian Mejia, Francisco Ortiz, Joseph Ortiz, Alejandro Pacheco, Alizbeth Pascasio, Claudia Reynoso, Danielle Rosales, Marlene Sanchez, Elena Trejo, Liz Valencia, Cecilia Vieyra, Lisandro Zuņiga, Olga Zuņiga
BANDA SINALOENSE LA QUEBRADA: Clarinet: Victor Joel Gonzales, Jesus Armando Olivas, Refugio Rodriguez, Trombone: Carlos Alberto Bentacourt, Jesus Cortez, Mario Ivan Noriega, Trumpet: Enrique Bastidas, Manuel Marquez, Jesus Reinel, Marcos Rios, Drums: Luis Alfonso Arellano, Ernesto Contreras, Tuba: Edgar Gregorio Lizarraga, Vocalists: Anibal Javier Bengolea, Edgar Omega Rico, Armonia: Manuel Valdez, Luis Valde

Ballet Folklorico Alma de Mexico of South San Francisco performs a medley of five festive dances accompanied by banda music that are typical of those found in the native fiestas of Nayarit and Sinaloa. The lyrics in the first dance, Vuela Paloma, recall a forlorn lover longing to fly as a dove in order to be reunited with his beloved. The second, El Novilla, describes a brave young bull learning to fight. The third piece, Mazatlan, depicts the beauty and sensuality of the women who live in the port known as the “Pearl of the Pacific Coast.” El Sinaloense, the fourth in the suite, expresses the pride and joy of the people of Sinaloa, while the final piece, El Toro Mambo, is typical of a popular Carnival of Mazatlan dance which focuses on the animated motions of a brave toro (bull) playing in the rodeo.

 



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